CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
An exhibition of over 200 photographs from the Gap Inc. collection. As a graphic design intern/production artist, I created elevations that were used in presentation to the client, organized images and reviewed proofs.
CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
As a graphic design intern/production artist, I created elevations that were used in presentation to the client, organized images and reviewed proofs.
CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
I designed museum labels using ink transfer (rubdown) which were elegant, clean alternatives to museum card labels. Later, I also designed a process book that would give an inside look into the work that went into making the exhibit.
CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
CREDITS > Gizmo Art Production (2006) // Principal: Mark Sabatino // Concept: Trey Laird // Design Manager: Kyra Bowling // Designers: Lisa Park & Dirk Dieter // Design Intern, Production Artist: Frances O. Liddell
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Individuals Exhibition
Over 200 photos appear in this exhibit from Gap, Inc. which was designed, fabricated and installed by Gizmo Art Production. My duties included schematic design, layout, label design, proofing of images, and color-matching. Instead of the usual card stock museum labels mounted to wall surfaces, color ink transfers were used on walls and on clear acrylic panels for a clean, polished look.
Photos are from the showing at the Yerba Buena Center for the Arts in San Francisco, CA.
