Nataliya Zaychenko

project in progress. Moscow. ((in MOSPROJECT 1, studio 22; architectural studio “A-GA” ) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow. (in MOSPROJECT 1, studio 22; architectural studio “A-GA”) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow. (in MOSPROJECT 1, studio 22; architectural studio “A-GA” (AR) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow. ((in MOSPROJECT 1, studio 22; architectural studio “A-GA” (AR) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow. (in MOSPROJECT 1, studio 22; architectural studio “A-GA” (AR) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow. (in MOSPROJECT 1, studio 22; architectural studio “A-GA” (AR) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.

project in progress. Moscow.(in MOSPROJECT 1, studio 22; architectural studio “A-GA” (AR) For the Ostankino television center we propose a typology that turns it into an icon, a public-media center as a stop sign along the monorail line which forms a touristic route. The precisise color table stretches along the massive facade and precisely specifies the function of the construction and identifies the building as an interface to the city.