Coroflot

Resume

Working freelance allows me to enjoy a colourful range of projects. From designing and conceptualising card games, designing books from front to back, painting 8m x 3m sets, to running seminars with The Mind Gallery.

◆Since 2007, I've been regularly contracted by the Mind Gallery. We engage a corporate team, of up to 150 participants, in painting and creative thinking exercises in order to achieve a variety of specifically tailored purposes. Also responsible for conducting artistic conference and festival/pr activities.

www.mindgallery.com.au

Clients: BP, Ericsson, American Express, Nintendo, Australia Post, Thales.


◆Published Books:
Over 25 published.

Worked with Heinemann, Black Ink, ILTS, Melbourne University press, IP Kids, Cengage.

The Glass Table (Book I) Shards (Book II) 2010
Author Leigh K Cunningham launched the series in March 2010 at The 47th annual Bologna Children’s Book Fair. Front/back cover design and digital illustration. Produced in Photoshop.

Green Stuff for Kids 2009
Melbourne University Press. Author: Tanya Ha. Foreword by Rove Mc Manus and Tim Flannery.
50 Digital illustrations/diagrams/graphs/cartoons. Produced in Adobe Illustrator.

Giggle Gum Tree 2009
IP Kids. Author Juliet Williams. Launched by Paul Jennings.
32 full page traditionally painted illustrations and digital cover design.

The Art Show 2009
ILTS (Language Learner Literature Awards Finalist) Traditional Illustration.

Road to Nowhere 2008
ILTS (Language Learner Literature Awards Finalist) Traditional Illustration.

River of Dreams 2007
ILTS (Language Learner Literature awards Finalist) Traditional Illustration.

Touché 2004
Heinemann. Series of French Language educational books, current standard at most Australian high schools.
Comic, Pen and Ink.


◆Storyboards:

Clients: Cadbury Schweppes, The Ross Partnership, Chocolate AVF, Disney, Sensis, The Sanctuary Byron Bay

Liaising directly with production houses and directors to develop accurate, emotive storyboards. Familiar with set technicalities and filming processes. Am very happy to make last minute changes due to legal fiascos and director’s last minute whims. And of course, projects are absolutely always delivered on time.

Feel free to contact me for any further information.

Elizabeth A Botté