Marija Rnjak (CRO), Prouge
A soft didone that is best for titling, but can be successfully used also in smaller sizes down to 12 pt.
Diana Ovezea (ROM), Paige Italic
A bodytext oriented continuation of a previously display typeface. But the principal idea remained the same. Every character still pedantically maintain the look of folded strips of paper.
Marianne Riegelnegg (AUT), Janis Book
Expansion of a book type family Janis, that got fresh small caps in Regular and Bold.
Kevin van Reenen (SAR/UK), Ishumi Nanye
A sans serif typeface created for the road sign system of South Africa. It uses the recognisable triangular shape from South-African flag for huge ink-traps, much needed for the best possible readibility from a distance.
Verena Manyet (AUT), Pandora
A continuation of a slightly rounded sans serif typeface, with three different style variations for titling. It offers a art nouveau, bauhaus and avantgarde styled capital letters.
Marijana Oršolic (AUS/SRB), Nioki
A humanised sans serif family offering multiple weights.
Anja Schwendenwein (AUT), Oachakatzerl
A serif typeface inspired by linguistic contrasts - the sharpness and softness of German language spoken in Austria.
Theresa Radlingmaier (AUT), Poldi
Poldi is a modern typeface with a calligraphic character.
Our typicall process, with a little help of baking paper and a domesticated llama.
Our beautiful host - Trenta Valley, Slovenia
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